Anna Wintour
Global Editorial Director, Vogue & Chief Content Officer, Condé Nast
The ultimate editor and industry powerbroker has led the world’s most influential fashion magazine for decades and is Condé Nast’s chief content officer.
Do Men Need GQ Style?
GQ Style editor-in-chief Will Welch and publisher/chief revenue officer Howard Mittman give BoF a first look at the revamped publication’s debut issue and its strategy.
Do Men Need GQ Style?
GQ Style editor-in-chief Will Welch and publisher/chief revenue officer Howard Mittman give BoF a first look at the revamped publication’s debut issue and its strategy.
Decoding ‘Manus x Machina’
BoF talks to key players at Condé Nast, Apple and the Costume Institute at the Metropolitan Museum of Art to unpack the meaning of its latest exhibit on the evening of the Met Gala.
Decoding ‘Manus x Machina’
BoF talks to key players at Condé Nast, Apple and the Costume Institute at the Metropolitan Museum of Art to unpack the meaning of its latest exhibit on the evening of the Met Gala.
BoF Exclusive | BFC Unveils Global Fashion Awards, London’s Answer to the Met Ball
BoF can exclusively reveal that the British Fashion Council is transforming its annual fashion awards into a global event, positioned as ‘a mix of the Academy Awards and the Met Ball.’
BoF Exclusive | BFC Unveils Global Fashion Awards, London’s Answer to the Met Ball
BoF can exclusively reveal that the British Fashion Council is transforming its annual fashion awards into a global event, positioned as ‘a mix of the Academy Awards and the Met Ball.’
Met Curator Andrew Bolton, Quiet Defender of Fashion as Art
'The First Monday in May,' directed by Andrew Rossi, chronicles the yearlong preparations for the show, 'China: Through the Looking Glass,' and the gala that accompanied it.
Met Curator Andrew Bolton, Quiet Defender of Fashion as Art
'The First Monday in May,' directed by Andrew Rossi, chronicles the yearlong preparations for the show, 'China: Through the Looking Glass,' and the gala that accompanied it.
American Vogue Publisher Talks Strategy Shifts
American Vogue publisher and chief revenue officer Susan Plagemann talks exclusively to BoF about the multi-channel future of one of fashion’s most storied media brands.
American Vogue Publisher Talks Strategy Shifts
American Vogue publisher and chief revenue officer Susan Plagemann talks exclusively to BoF about the multi-channel future of one of fashion’s most storied media brands.
Op-Ed | Should Companies Take a Political Stand?
If we expect companies to take sides on divisive issues — and only patronise those we deem as having a good conscience — it could mean the end of agnostic consumerism, argues Simon Collins.
Op-Ed | Should Companies Take a Political Stand?
If we expect companies to take sides on divisive issues — and only patronise those we deem as having a good conscience — it could mean the end of agnostic consumerism, argues Simon Collins.
The Next Wave of Activewear Players
Several new activewear brands are gearing up to compete with Nike, Lululemon and Under Armour.
The Next Wave of Activewear Players
Several new activewear brands are gearing up to compete with Nike, Lululemon and Under Armour.
Why You Shouldn’t Launch a Label Straight Out of School
Fashion designers, investors, headhunters, editors and analysts make the case for getting work experience at an established brand before launching your own.
Why You Shouldn’t Launch a Label Straight Out of School
Fashion designers, investors, headhunters, editors and analysts make the case for getting work experience at an established brand before launching your own.
The Fashion Gyre and the Ghost of Martin Margiela
Amidst a whirlwind of directions, the real protagonist of Paris Fashion Week was Martin Margiela, whose influence was felt from Vetements to Miu Miu.
The Fashion Gyre and the Ghost of Martin Margiela
Amidst a whirlwind of directions, the real protagonist of Paris Fashion Week was Martin Margiela, whose influence was felt from Vetements to Miu Miu.
Inside the Oscars Dressing Game
Stylist Leslie Fremar breaks down how she worked with brands and her celebrity clients — including Julianne Moore, Charlize Theron and Reese Witherspoon — to build the looks they wore on the red carpet at Sunday’s Academy Awards.
Inside the Oscars Dressing Game
Stylist Leslie Fremar breaks down how she worked with brands and her celebrity clients — including Julianne Moore, Charlize Theron and Reese Witherspoon — to build the looks they wore on the red carpet at Sunday’s Academy Awards.
What is The BoF 500?
The people shaping the global fashion industry, curated by the editors of The Business of Fashion, based on nominations and on-the-ground intelligence from around the world.
