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Agenda-setting intelligence, analysis and advice for the global fashion community.

Bruce Weber’s Fantasy Land

Above all, the photographer draws on his inner fantasy life to conjure the circus of marching bands, jugglers, elephants, cheerleaders, Labradors and all-American male demigods that populate his work.
Bruce Weber.
Bruce Weber. (Kevin Trageser for BoF)

“It’s a bit of a circus with me,” Bruce Weber says over coffee in his Manhattan studio and archives. A swiftly setting winter sun fills an enormous wall of windows with dramatic blues and purples, but inside all is warm and calm. The regular retinue of assistants, producers, handlers and subjects who accompany him during his work — an amorphous clan that can include full marching bands, jugglers, elephants and specimens of rare beauty — that circus, has decamped after a long day.

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Further Reading

Hans Feurer: ‘Behind Fashion There Is Always a Dream’

“I love women. I have a lot of respect for women and find them more interesting than men. The person I am drawn to is intelligent, strong and beautiful. Women are the main reason I became a fashion photographer,” says Hans Feurer.

Fashion Photographers Return to Film

In an era of ubiquitous digital imagery, several fast-rising fashion photographers are shooting film to differentiate their work, regain control over their craft and find a more human pace.

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