Agenda-setting intelligence, analysis and advice for the global fashion community.
“It’s a bit of a circus with me,” Bruce Weber says over coffee in his Manhattan studio and archives. A swiftly setting winter sun fills an enormous wall of windows with dramatic blues and purples, but inside all is warm and calm. The regular retinue of assistants, producers, handlers and subjects who accompany him during his work — an amorphous clan that can include full marching bands, jugglers, elephants and specimens of rare beauty — that circus, has decamped after a long day.
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